@@@@@ (5 out of 5)
After writing 29 other thrillers, including 20 in the venerable Harry Bosch series and five of the Lincoln Lawyer novels, Michael Connelly has introduced a new lead character. Is this the beginning of a new series? We’ll have to see. But Renee Ballard is certainly interesting enough.
Detective Renee Ballard is a fourteen-year veteran of the LAPD, ten of them as a detective. She works “the late show,” the midnight shift in Hollywood. Two years earlier, she had lodged a sexual harassment complaint against her boss, Lieutenant Robert Olivas. She’d lost the case when her ambitious partner, Ken Chastain, refused to back up her claim by testifying to what he’d seen with his own eyes. Olivas had then had Ballard assigned to the late show, which is regarded as punishment.
Ballard is a hothead, quick to anger and slow to forgive a slight. Ignored by her mother, she had grown up sleeping on beaches with her father as she followed him around the world to surfing competitions. As a child, she saw him disappear under a wave, never to resurface. When Ballard was a teenager, her grandmother rescued her from the rough life in Hawaii and brought her to live with her in Ventura, California. She acquired a degree in journalism and worked for a time as a reporter. As her dark skin and distinctive features show, Ballard is at least partially Hawaiian or Polynesian. To this day, she makes a practice of heading out to Venice Beach with her dog Lola for an hour of paddleboarding after her shift. Her only permanent address is her grandmother’s home in Ventura.
Ballard’s partner, Detective John Jenkins, is marking time until retirement. But he’s protective of her. When he sees her working a case she’s been repeatedly warned to avoid, he tells her, “There’s this saying they have about conformist society: The nail that sticks out gets pounded down.”
“Okay, so what are you saying?” Ballard asks.
“I’m saying there’s a lot of guys in this department with hammers. Watch yourself.”
“You don’t have to tell me that.”
“I don’t know—sometimes I think I do.”
Though Ballard’s ornery flouting of authority seems to be a prerequisite for a lead character in a detective novel—Connelly’s Harry Bosch is an obvious example—the formula works well here. Ballard is a complex and interesting person.
In The Late Show, Ballard takes on three separate cases simultaneously, demonstrating her shrewdness as an investigator and her refusal to give up even when ordered to do so by her superiors. First is a case of credit card fraud. Though the effort was unsuccessful, Ballard insists on tracking down the perpetrator by working the phone. In the second, far more serious case, a cross-dressing male prostitute is found brutally beaten with brass knuckles and left for dead. Ballard sets out to find the man responsible. But the biggest case is the third. Five people have been shot and killed at close range in a Hollywood nightclub. Three of the victims were anything but innocent: all were career criminals. Ballard seizes an opportunity to look for the killer of a young waitress who was one of the other victims.
Every one of these three cases is fascinating in its own right. In Michael Connelly’s hands, the three are seamlessly woven together in an increasingly tense and suspenseful story that is likely to satisfy any fan of police procedurals. Having written for decades about crime in Los Angeles, Connelly is intimately familiar with the ways of the LAPD. The result is a thoroughly engrossing and convincing tale of crime and punishment through the eyes of an intelligent and caring police officer.
For my review of one of the Harry Bosch novels, go to Michael Connelly’s best Harry Bosch novel? For another prominent writer’s perspective on policing in Los Angeles, see Joseph Wambaugh’s Hollywood Police Saga. For reviews of dozens of other excellent novels in this genre, go to 48 excellent mystery and thriller series.